What sets them apart is their morality, their minds: each feels a deep need to be a hero and that is what ultimately pushes him or her to become one. Most do not have any sort of superpowers. The characters are eerily human for the genre, struggling through life’s various moral and personal obstacles including bullying, child abuse, and adultery. Unlike other classic comic books, Watchmen does not have a clear protagonist or antagonist. By understanding and piecing together the unique positions collected in Watchmen, taking into account the recurring motifs and symbols as well, a completely new perspective is born: there is no moral justification for killing, only the justifications that individuals place upon it. While it is important to recognize the different ideas and perspectives represented through the graphic novel, the ramifications of the work as a whole cannot be ignored. Most current analyses of the graphic novel disregard the collective ideals represented in Watchmen, choosing instead to focus on a single outlook that allies with their own ideologies. Rorschach’s journal, containing an account of events leading up to the mass slaughter, is left in the hands of a young, unkempt newspaper assistant. However, no verdict is passed on the world’s fate. Throughout its story, Watchmen presents several takes on the morality of murder, the ultimate judgment of death, and its implications in the grand scheme of the world. However, when they discover his plot, it has already been carried out and he is able to convince all but one of them, Rorschach, not to reveal the truth to the world. Set in an alternate version of the 1980s, Watchmen follows several heroes as they uncover their comrade Ozymandias’s plan to unite the world by sacrificing millions of innocent lives and blaming it on a fake alien invasion. At the center of its plot sits the classic heroic notion of the greater good, the sacrifice of the few for the many. In 1986, Alan Moore’s revolutionary graphic novel, Watchmen, redefined the superhero genre and pushed the bounds of what is considered great literature.
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